"...A company well worth watching"

David C. Nichols,
LA Times

"The peripatetic Alive Theatre... creates the same anticipation that Apple creates just before a new product release. They make us wonder, what will they do next?"

James Scarborough,
Grunion Gazette

"Alive Theatre is a young, dynamic, multicultural company producing vibrant work on a shoe string. They are straight up "of the people, for the people". Strength, commitment, talent and heart abound"!

Stephen Adly Gurgis
In Arabia We'd All Be Kings
(Summer 2009)


"I was very moved... by the excellent performance of my play".

Playwright, José Rivera on Alive Theatre's References to Salvador Dali Make Me Hot
Museum of Latin American Art,
 April 2009


"Judging by the chemistry of this galvanized group, along with their professionalism and talent, I predict a rash of breakout stars, as well as a thriving future for the company. . . Alive Theatre has the potential to be Long Beach's Steppenwolf or Actors' Gang."


Marchelle Hammack,
Beachcomber Newspaper

Alive Theatre presents...

In Collaboration with The Long Beach Playhouse...



By Austin Pendelton
Directed by Ricci Dedola

@ The Long Beach Playhouse, Studio Theatre

5021 East Anaheim St. Long Beach, CA 90804

For Tickets, info and Specials visit www.lbplayhouse.org
or call 562-494-1014

     An ingenious tale of two Hollywood Giants – Orson Welles and Laurence Olivier.  The time is 1960; the place is a West End theatre. Legendary critic Kenneth Tynan has made a startling proposal: Welles should direct Olivier and the Young Joan Plowright in Rhinoceros, Ionesco’s absurdist masterpiece. But it is the rehearsal process that brims with absurdity as titanic personalities, including Viven Leigh, wrestle the muse in this witty and incisive depiction of the drama of theatre.
 

     Orson's Shadow by Austin Pendleton is an elevating, smartly entertaining glimpse at the extraordinary foibles of extraordinary men. It is a juicy portrait of a moment in the lives of Laurence Olivier and Orson Welles (among many others) each feeling enormous pressure to reinvent himself, to prove to press and public that he's still got "it."

 

Show Dates

Friday, January 20 and Saturday, January 21 @ 8pm    Sunday January 22 @2:00pm

Friday, January 27 and Saturday, January 28 @ 8pm    Sunday January 29 @2:00pm

Friday, February 3 and Saturday, February 4 @ 8pm    Sunday February 5 @2:00pm

*Plus! Special Opening & Closing Weekend Event!*
Friday, January 20th and Saturday, February 4th @ 11pm
catch a very special aftershow performance of 'Rhinocerous',
a shadow play based on Eugene Ionesco's work!


******************************************

AUDITION CALL
Alive Theatre presents...
In Collaboration with the Long Beach Playhouse



By Peter Sinn Nachtrieb

@ The Long Beach Playhouse, Studio Theatre
5021 East Anaheim Street, Long Beach, CA 90804
 

Is a hilarious doomsday comedy that perfectly approaches its big themes sideways.  It is a play that speaks quietly and piquantly, to our enduring fascination with and need for myths about the beginning of life as well as its end.

What: boom by Peter Sinn Nachtrieb. Directed by Caitlin Sullivan Hart

Who: Produced by Alive Theatre in collaboration with the Long Beach Playhouse

When: Friday, February 24 - Saturday, March 10 (Thursdays, Fridays & Saturdays @ 8pm)

Where: Long Beach Playhouse, Studio Theatre (5021 East Anaheim St., Long Beach, CA 90802) www.lbplayhouse.org

 

 

Auditions: Thursday, January 12 & Friday, January 13 from 6pm – 10:30pm.

Audition Location: The Farm (555 East 3rd Street, Long Beach, CA 90802)

Callbacks: Saturday, January 14 from 12pm-3pm

Callback Location: The Farm (555 East 3rd St., Long Beach, CA 90802)

Rehearsals: Wednesday, January 25- February 23 (4 ½  weeks). Wednesday- Friday evenings and Saturday and Sunday during the day. Schedule TBD

Actors will not be called to every rehearsal.

Rehearsal Location: Either LA or Long Beach. Exact location TBD after casting

Strike: Sunday, March 11th-Monday, March 12th: Actors are required to attend a minimum of 4hrs of strike

 

Audition Requirements: Familiarization with sides links are below.

Pay: 99 seat waiver AEA rate for all AEA actors cast.

Contact:  Email headshots and resumes to aliveboomcasting@gmail.com to schedule a 5 minute audition time slot.

www.alivetheatre.org

Roles: No nudity in any roles.

 

JULES:
Male, Any Ethnicity
Late 20's
A marine biology graduate student.  He is smart, socially awkward yet charming, creepy yet harmless, practical, homosexual, uncomfortable, excitable and literal.

Sides available at http://bit.ly/xFvkLR
Jules Side #1 pg 32 "We have to rebuild the human race" - "We've got to no matter how terrible it will be"
Callback sides available at http://bit.ly/y639le and http://bit.ly/zbyMkP
Jo & Jules # 1 : pg 44 "I thought this would be the moment" - "KILL YOURSELF ALREADY!"
Jo & Jules # 2: pg 48 "You have a mechanism" - "the last few moments of our *kiss*"

JO:
Female, Any Ethnicity
Early/Mid 20's
An undergraduate journalism student. She is funny, impulsive, intelligent, attractive and an external processor. An outsider.
Sides available at  http://bit.ly/wHGWppJo Side # 1 pg 24: "I keep this in the bathroom" - Jo looks like she's getting an electrical charge shooting through her when she touches it.
Callback sides available at http://bit.ly/y639le and http://bit.ly/zbyMkP
Jo & Jules # 1 : pg 44 "I thought this would be the moment" - "KILL YOURSELF ALREADY!"
Jo & Jules # 2: pg 48 "You have a mechanism" - "the last few moments of our *kiss*"

  

BARBARA:
Female, Any Ethnicity
40's-50's
A natural history docent. She is dynamic, passionate and loves her job more than life itself.  She is a teacher, physically agile, quirky, confident and vulnerable.
Sides available at http://bit.ly/x3suKq
Barbara Side # 1 pg 36 "Ohhhh. Oh, oh, oh" - "It was the skin of my mother"
Callback sides available at http://bit.ly/ywn8r1
Barbara
# 1: "This is Barbara" - "I really wish that"

 

**Note** All roles require strong physicality.

On the Director…

"Caitlin S. Hart's direction is first rate" -StageSceneLA

 

"Director Caitlin S Hart seizes on the text's Gothic elements in a staging worthy of The Old Dark House" -LA Weekly

 

"This production is well assembled and crafted" -LA Theatre Review

 

On Alive Theatre…

"...A company well worth watching" -David C. Nichols, LA Times

"Alive Theatre is a young, dynamic, multicultural company producing vibrant work on a shoe string. They are straight up "of the people, for the people". Strength, commitment, talent and heart abound!””- Playwright, Stephen Adly Guirgis, on In Arabia We’d All Be Kings

"I was very moved... by the excellent performance of my play.”-Playwright, José Rivera on Alive Theatre's References to Salvador Dali Make Me Hot at The Museum of Latin American Art

 

 




 






Visit www.FourClowns.org for more info
on the touring show

 








Alive Theatre

2000 - 2009 LA Weekly Noteworthy Theater of the Decade
2008 District Weekly Award for Best Nerds

4 Clowns
2010  Bitter Lemons Most Outrageous Theater Award Nomination
2010  Hollywood Fringe Festival
Nomination for Best World Premiere
2010  Hollywood Fringe Festival Award for Best Physical Theater 

In Arabia We'd All Be Kings
2009 Venerable Grunion Award for Best Direction - Jeremy Aluma

Cherry Poppin' Play Festival '09
2009 Venerable Grunion Award for Best Playwright

References to Salvador Dali Make Me Hot @ MoLAA
2009 District Weekly Award for Best Venue

Proud members of
 

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