Alive Theatre presents...
In Collaboration with The Long Beach Playhouse...

By Austin Pendelton
Directed by Ricci Dedola
@ The Long Beach Playhouse, Studio Theatre
5021 East Anaheim St. Long Beach, CA 90804
An ingenious tale of two Hollywood Giants – Orson Welles and Laurence Olivier. The time is 1960; the place is a West End theatre. Legendary critic Kenneth Tynan has made a startling proposal: Welles should direct Olivier and the Young Joan Plowright in Rhinoceros, Ionesco’s absurdist masterpiece. But it is the rehearsal process that brims with absurdity as titanic personalities, including Viven Leigh, wrestle the muse in this witty and incisive depiction of the drama of theatre.
Orson's Shadow by Austin Pendleton is an elevating, smartly entertaining glimpse at the extraordinary foibles of extraordinary men. It is a juicy portrait of a moment in the lives of Laurence Olivier and Orson Welles (among many others) each feeling enormous pressure to reinvent himself, to prove to press and public that he's still got "it."
Show Dates
Friday, January 20 and Saturday, January 21 @ 8pm Sunday January 22 @2:00pm
Friday, January 27 and Saturday, January 28 @ 8pm Sunday January 29 @2:00pm
Friday, February 3 and Saturday, February 4 @ 8pm Sunday February 5 @2:00pm
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AUDITION CALL
What: boom by Peter Sinn Nachtrieb. Directed by Caitlin Sullivan Hart
Who: Produced by Alive Theatre in collaboration with the Long Beach Playhouse
When: Friday, February 24 - Saturday, March 10 (Thursdays, Fridays & Saturdays @ 8pm)
Where: Long Beach Playhouse, Studio Theatre (5021 East Anaheim St., Long Beach, CA 90802) www.lbplayhouse.org
Auditions: Thursday, January 12 & Friday, January 13 from 6pm – 10:30pm.
Audition Location: The Farm (555 East 3rd Street, Long Beach, CA 90802)
Callbacks: Saturday, January 14 from 12pm-3pm
Callback Location: The Farm (555 East 3rd St., Long Beach, CA 90802)
Rehearsals: Wednesday, January 25- February 23 (4 ½ weeks). Wednesday- Friday evenings and Saturday and Sunday during the day. Schedule TBD
Actors will not be called to every rehearsal.
Rehearsal Location: Either LA or Long Beach. Exact location TBD after casting
Strike: Sunday, March 11th-Monday, March 12th: Actors are required to attend a minimum of 4hrs of strike
Audition Requirements: Familiarization with sides links are below.
Pay: 99 seat waiver AEA rate for all AEA actors cast.
Contact: Email headshots and resumes to aliveboomcasting@gmail.com to schedule a 5 minute audition time slot.
Roles: No nudity in any roles.
JULES:
Male, Any Ethnicity
Late 20's
A marine biology graduate student. He is smart, socially awkward yet charming, creepy yet harmless, practical, homosexual, uncomfortable, excitable and literal.
Sides available at http://bit.ly/xFvkLR
Jules Side #1 pg 32 "We have to rebuild the human race" - "We've got to no matter how terrible it will be"
Callback sides available at http://bit.ly/y639le and http://bit.ly/zbyMkP
Jo & Jules # 1 : pg 44 "I thought this would be the moment" - "KILL YOURSELF ALREADY!"
Jo & Jules # 2: pg 48 "You have a mechanism" - "the last few moments of our *kiss*"
JO:
Female, Any Ethnicity
Early/Mid 20's
An undergraduate journalism student. She is funny, impulsive, intelligent, attractive and an external processor. An outsider.
Sides available at http://bit.ly/wHGWppJo Side # 1 pg 24: "I keep this in the bathroom" - Jo looks like she's getting an electrical charge shooting through her when she touches it.
Callback sides available at http://bit.ly/y639le and http://bit.ly/zbyMkP
Jo & Jules # 1 : pg 44 "I thought this would be the moment" - "KILL YOURSELF ALREADY!"
Jo & Jules # 2: pg 48 "You have a mechanism" - "the last few moments of our *kiss*"
BARBARA:
Female, Any Ethnicity
40's-50's
A natural history docent. She is dynamic, passionate and loves her job more than life itself. She is a teacher, physically agile, quirky, confident and vulnerable.
Sides available at http://bit.ly/x3suKq
Barbara Side # 1 pg 36 "Ohhhh. Oh, oh, oh" - "It was the skin of my mother"
Callback sides available at http://bit.ly/ywn8r1
Barbara # 1: "This is Barbara" - "I really wish that"
**Note** All roles require strong physicality.
On the Director…
"Caitlin S. Hart's direction is first rate" -StageSceneLA
"Director Caitlin S Hart seizes on the text's Gothic elements in a staging worthy of The Old Dark House" -LA Weekly
"This production is well assembled and crafted" -LA Theatre Review
On Alive Theatre…
"...A company well worth watching" -David C. Nichols, LA Times
"Alive Theatre is a young, dynamic, multicultural company producing vibrant work on a shoe string. They are straight up "of the people, for the people". Strength, commitment, talent and heart abound!””- Playwright, Stephen Adly Guirgis, on In Arabia We’d All Be Kings
"I was very moved... by the excellent performance of my play.”-Playwright, José Rivera on Alive Theatre's References to Salvador Dali Make Me Hot at The Museum of Latin American Art
Visit www.FourClowns.org for more info
on the touring show

Alive Theatre
2000 - 2009 LA Weekly Noteworthy Theater of the Decade
2008 District Weekly Award for Best Nerds
4 Clowns
2010 Bitter Lemons Most Outrageous Theater Award Nomination
2010 Hollywood Fringe Festival Nomination for Best World Premiere
2010 Hollywood Fringe Festival Award for Best Physical Theater
In Arabia We'd All Be Kings
2009 Venerable Grunion Award for Best Direction - Jeremy Aluma
Cherry Poppin' Play Festival '09
2009 Venerable Grunion Award for Best Playwright
References to Salvador Dali Make Me Hot @ MoLAA
2009 District Weekly Award for Best Venue